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Greta Garbo, 1929.
showstudio:

Raf Simons working on the spring/summer 2013 Christian Dior haute couture collection

showstudio:

Raf Simons working on the spring/summer 2013 Christian Dior haute couture collection

(via teenage-summercamp)

valerya-in-acidland:

sister—morphine:

Michele Breton, Anita Pallenberg and Mick Jagger on the set of Performance, 1968

valerya-in-acidland:

sister—morphine:

Michele Breton, Anita Pallenberg and Mick Jagger on the set of Performance, 1968

sonofaodh:

Yohji Yamamoto, AW97

sonofaodh:

Yohji Yamamoto, AW97

(via twoism13)


Dice Kayek SS14
blvckglitter:

Sarah Moon

blvckglitter:

Sarah Moon

amy-ambrosio:

Marine Deleeuw at Alexandre Vauthier Haute Couture FALL 2014, by carolinelevybencheton for Lurve Magazine.

amy-ambrosio:

Marine Deleeuw at Alexandre Vauthier Haute Couture FALL 2014, by carolinelevybencheton for Lurve Magazine.

(via teenage-summercamp)

t3sjelly:

Raf Simons leather parka from fw03 “Closer" photographed by Sean Carpenter for CLASH Magazine.

t3sjelly:

Raf Simons leather parka from fw03 “Closer" photographed by Sean Carpenter for CLASH Magazine.

showstudio:

Concept board for for Serena Gili’s MA 2014 show.

showstudio:

Concept board for for Serena Gili’s MA 2014 show.

(via decimaquinta)

skt4ng:

"JW Anderson" | Harry Webster by Jan Lehner for HERO Magazine #11

skt4ng:

"JW Anderson" | Harry Webster by Jan Lehner for HERO Magazine #11

(via lionshaveears)

secretcinema1:

lapetitecole:
Woman with Closed Eyes, 1928, Man Ray.

secretcinema1:

lapetitecole:

Woman with Closed Eyes, 1928, Man Ray.

(Source: flashofgod, via theminimalmaximalist)


Detail of Jupiter and Io by Correggio
artmastered:

Gustav Klimt, Pallas Athene, 1898, oil on canvas and inlay, 75 x 75 cm, Historisches Museum der Stadt Wien, Vienna.
Despite being a huge fan of the Symbolists, I hadn’t come across Klimt’s Pallas Athene before. It was only when my good friend mentioned it the other day that I looked it up - and I’m so glad I did. Klimt has typically used plenty of gold to represent the armour of strong and determined Athena, though the effect is less reminiscent of some of his famous gold works (think The Kiss and Portrait of Adele Bloch-Bauer), and more like the metallic sheen of Judith and the Head of Holofernes.

artmastered:

Gustav Klimt, Pallas Athene, 1898, oil on canvas and inlay, 75 x 75 cm, Historisches Museum der Stadt Wien, Vienna.

Despite being a huge fan of the Symbolists, I hadn’t come across Klimt’s Pallas Athene before. It was only when my good friend mentioned it the other day that I looked it up - and I’m so glad I did. Klimt has typically used plenty of gold to represent the armour of strong and determined Athena, though the effect is less reminiscent of some of his famous gold works (think The Kiss and Portrait of Adele Bloch-Bauer), and more like the metallic sheen of Judith and the Head of Holofernes.

likeafieldmouse:

Josef Albers - Self Portrait (1918)

likeafieldmouse:

Josef Albers - Self Portrait (1918)

(via soilleir)